In Coralie Fargeat's new feminist scary film The Substance, hazardous societal elegance criteria are the true beasts. They (women objectification, the fingertip of "the outdated," the proliferation of a market built on body modification) supply a beast of a cycle that leads Demi Moore's fading television individual character Elisabeth https://peter-gabriel-movies.blog5.net/72236718/the-substance-2024